Accommodation in Blue Mountains
Table of Contents A Beginner's Guide to Rock Gardens Introduction Wrong Way Of Placing Rocks The Right Way to Place Rock Stones Good Rock Work- Flat Ground Wall Stones on Slopes Choosing the Best Soil Building Your Rock Garden Planting Your Rock Plants Maintenance Conifers Bulbs List of Rock Plants, depending on the Particular Conditions and Places Rock Plants For Walls Crazy paving plants - Conclusion Author Bio Publisher Introduction Rock gardens have been part of landscaping and gardening lore for millenniums. In the East Japanese rock gardens or Zen gardens have been places where people could meditate in serene and harmonious surroundings. Why are more people designing their own gardens incorporating at least one rock garden in the design? Even if the rock garden is quite small, it is going to add a touch of distinction to the landscaping of your garden. In Japan, rock gardens were normally built as dry landscape gardens, where a number of landscapes were made up of natural compositions made from natural products incorporated into a landscape. These natural items included bushes, trees, Moss, water, rocks and sand. One believes that the concept of rock gardening originated in China, especially when the ancient religion of Shintoism spoke about places of harmony where one could commune with nature and the spirit in serenity. These were normally made in monasteries, where they could be seen from one focal point, like say the porch of the head priest of the monastery. These dry Landscape gardens which you call a Zen garden in Japan were built to be seen from one viewpoint, with the walling closed around it in ancient times. Nowadays they stretch on for miles incorporating all the natural features available and present in the area to make up harmonious surroundings. Japanese Zen gardens go back to 784 BC. Chinese gardens have been around for even longer. The incorporation of gravel and white sand in a Zen or rock garden was an important feature. These were the symbol of distance, emptiness, purity, white space and water. All these symbols were supposed to aid in meditation. White sand and gravel used harmoniously together were also used around temples, shrines and palaces.
The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Quing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1736) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements. Representing two generations of painstaking research, this book follows the emperor as he ruled his empire from within his garden. In a landscape of lush plants, artificial mountains and lakes, and colorful buildings, he sought to represent his wealth and power to his diverse subjects and to the world at large. Having been looted and burned in the mid-nineteenth century by western forces, it now lies mostly in ruins, but it was the world's most elaborate garden in the eighteenth century. The garden suggested a whole set of concepts-religious, philosophical, political, artistic, and popular-represented in landscape and architecture. Just as bonsai portrays a garden in miniature, the imperial Yuanming Yuan at the height of its splendor represented the Qing Empire in microcosm.
'Homegardens' are integrated tree-crop-animal production systems, often established on small parcels of land surrounding homesteads, and primarily found in tropical environments. This multi-authored volume contains peer-reviewed chapters from the world's leading researchers and professionals in this topic. It summarizes the current state of knowledge on homegarden systems, with a view to using this knowledge as a basis for improving both homegardens and other similar multistrata agroforestry systems.
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